Album: The Living Tree
Artist: Anderson/Wakeman
2010 Gonzo Multimedia
CD: HST050CD
Jon Anderson: vocals
Rick Wakeman: music
Produced by Anderson/Wakeman/Erik Jordan
Engineered & mixed by Jordan
Art by Mark Wilkinson
Tracks:
1. "Living Tree (Part 1)" (4:04)
2. "Morning Star" (4:30)
3. "House of Freedom" (5:38)
4. "Living Tree (Part 2)" (4:37)
5. "Anyway and Always" (3:51)
6. "23/24/11" (6:25)
7. "Forever" (5:33)
8. "Garden" (3:23)
9. "Just One Man" (4:46)
Lyrics by Anderson; music composed by Wakeman, except (9) by Cubert
Notes: (***) The Anderson/Wakeman collaboration began with a tour in
2006 and
four of the songs here, including (5), (7) and (8), were performed on
that tour. Work began on an album but failed to progress. In 2008,
Anderson then suffered a series of serious medical issues. Work began
anew in August 2010 and the album was rushed through and available on
the duo's October 2010 tour (apart from the first couple of shows).
Wakeman explained the process in his Aug 2010 GORR!:
In case you’re wondering how we
are going to record with Jon in California and me being in Norfolk,
[...] I will be preparing all the back tracks here and then sending the
files to Jon who will be recording the vocals using his mobile system
whilst out doing some solo shows in America. The files then get sent
back to me for Erik to mix, they then go off to Voiceprint for
mastering, and [...] finished product should appear at the first show
in Cambridge in October!
Although the compositions are all credited to Wakeman, on tour Anderson
described the process as Wakeman providing chords and he working out
vocal melodies to fit, before Wakeman then recorded the music.
Highlights for me are the pairing of "Morning Star" and "House of
Freedom" at the beginning of the album and "Anyway and Always".
Although the album all consists of fairly short pieces (most 4-6
minutes long), the likes of "Morning Star" and "House of Freedom" are
still structured like a classic prog number, with contrasting moods
over the course of each piece. With mostly just vocals and piano, the
pair still manage to achieve the dynamism of a larger instrumentation.
Yet it's sometimes difficult to escape the feeling that these pieces
would benefit from a larger band, or, to be blunt, from being Yes
songs. The occasional poor choice of keyboard sounds, like some
particularly cheesy ones in "House of Freedom", only strengthens that
response. The only weak song for me is "Forever", a trite love song
with an obvious arrangement. But generally, and to my surprise, it is
Rick's piano playing and compositions that make this work rather than,
and sometimes despite of, Jon's singing and lyrics.
Let's start with the lyrics. Anderson is often accused of being too
explicit in his modern lyrics compared to the expressive, if not always
comprehensible, convolutions of rearranged livers in the 1970s. The
same criticism will re-emerge here. The lyrics are also often very
spiritual, appealing if you share Anderson's faith opinions, but
possibly off-putting otherwise. One might interpret "Just One Man", the
album closer, to be a Christian song about Jesus. It would not sound
out of place on a Christian rock album. But any interpretation must be
viewed in the context of Anderson's syncretism (cf. "Big Buddha Song" on Survival
and
Other Stories) and his devotion to religious guru Audrey
Kitagawa. On tour, Anderson has been explaining that "Just One Man" is
about Jesus and Muhammad and Buddha. Anderson thanks
Kitagawa in the liner notes here (and on Survival and Other Stories) and the
title track appears to be a paean to her. Having said the lyrics are
more obvious, "23/24/11" is more opaque. On tour, Anderson has said the
song is about about a soldier in Afghanistan who has 23 days, 24 hours
and 11 minutes left to the end of his tour.
The keystone to any project like this is Anderson's voice. This is
mostly the Jon we know and love, but his voice often sounds fragile,
weak or rough around the edges. My first thought was that this reflects
the problems he has had with singing since his acute respiratory
failure in 2008. Yet reports from many recent concerts have suggested
Anderson is often singing strongly these days. When I listened to Survival and Other Stories, which
seems to have been recorded before The
Living
Tree, the mystery deepened as his voice is much stronger
there too. I wonder whether the fragility of Anderson's vocals here
does not represent what he is capable of, but is rather to do with what
seems to have been a rushed recording process done without using a
proper studio?
Listening to The Living Tree
and Survival and Other Stories,
one
change to Anderson's vocals that crosses both of them is a more
nasal quality. Listen to "House of Freedom", "Anyway and Always",
"Forever" or "Just One Man" and it sounds like Anderson has a bit of a
cold and a congested nose. The final track, "Just One Man", has a
completely different vocal sound to the rest of The Living Tree. This song alone was
not written by Wakeman, but by Jeremy Cubert. It also appears in a
different version on Survival and
Other Stories, performed by Cubert and others. I wonder whether
it is actually the same vocal track on both performances? The
comparison between the two versions of the song is interesting, because
the larger band on the Survival and
Other Stories version, with 'soundscape' by Christophe Lebled,
orchestration by Ryan Fraley and viola by Daniel Reinker, works better,
I suggest, than Wakeman alone. One is again left with the impression
that while the material here is good, it could have been great with
more musicians involved.
Likewise, with "House of Freedom", it's a lovely song, a nice
composition, well-structured by Wakeman, and Anderson's lyrics work
well with the music. Yet the vocals and some of the keyboard sounds
mean the piece does not live up to its potential. More musicians, a
better production, a bigger production, would these have realised that
potential that bubbles under the surface of The Living Tree?
Leaving such hypotheticals aside, this is a good album, one of the best
releases we have had from either musician for over a decade. It is the
best Wakeman album I have heard in a long time, and I only don't say
"the best" about Anderson because of Survival
and
Other Stories.
This is the first Yes-related release on Gonzo Multimedia. Earlier in
2010, Zeit Distribution Ltd., who traded as Voiceprint, declared
insolvency.
Gonzo is a phoenix
company, established by Voiceprint managing director Rob Ayling and
taking over the Voiceprint trading name.
(HP, 21 Oct 10)
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