Album: Kilty Town
Artist: Kilty Town
2019 KiltyTown Music
CD: 88295 84991
Daniel Engle: octave mandolin (1, 3, 5, 6, 11), mandolin (8, 9), 12
string guitar (2), banjo (4), guitar (7, 10)
Nic Caciappo: bodhran (1-8, 10, 11), dumbek (1), shaker (2)
with
Oisin McAuley: fiddle (1, 4, 5, 7, 11)
Ray Frank: guitar (1-5, 8, 9)
Tim Morse: keys (1, 10, 11)
Annbjørg Lien: hardanger fiddle (2, 3)
Bjørn Ole Rasch: pump organ (2, 3)
Bret Bingham: vocal (2)
Rick Wakeman: piano (3, 11)
Michael Martin Murphey: vocal (6)
Maurya Murphey: whistle (6, 7, 10)
Mark Morris: flute (6, 7, 10)
Robert Lunceford: accordion (6, 8)
Iwan Hasan: Celtic harp guitar (9)
Jim Nelson: vocal (10)
Produced, engineered and mixed by Morse
Recorded by Erik Jordan (Wakeman), Bret Hues (MM Murphey),
Mike Sturgill (6, 7, 10)
Mastered by Craig Long
Art by Brian McDonagh
Layout/graphics by Caciappo
Tracks:
1. "Good News/Gipsy Flight" [Engle]
2. "Norwegian Wood (This Bird has Flown)" [Lennon/McCartney]
3. "September Waltz" [Engle]
4. "(Reels) The Last of Maggie/Cathy Tonkovich's" [Engle]
5. "(Jigs) The Handyman/Work's All Done" [Engle]
6. "The Maid of Kildare (Song/Waltz)" [Engle]
7. "(Reels) Creel of Perches/Curragh Races/Beauty Spot"
[traditional]
8. "Chicago Rag/The Speakeasy" [Engle]
9. "Celestial Waltz" [Engle]
10. "The Milky Way" [Engle]
11. "Never Ending Journey" [Engle]
Arranged by Caciappo (2), Morse (10), Morse/Kilty Town (11), Kilty
Town (1, 3-9)
Notes: (****) Made over 6 years, Kilty Town is a delightful
world music/progressive folk album from Daniel Engle and well-known
Yes/Wakeman fan Nic Caciappo, with an international cast, including
Wakeman (UK), MM Murphey (US), wife and husband team Lien/Rasch
(Norway), McAuley and McDonagh (Ireland), and Hasan (Indonesia).
Released at the beginning of 2019, with a short CD run before a
digital release, the album was produced and mixed by another
well-known Yes fan, Tim Morse (author of "Yes Stories"). Wakeman
appears on "September Waltz" (dedicated to the victims of September
11) and "Never Ending Journey". Wakeman described the tracks as the
most unusual he had ever played on. (HP, 16 Jan 19)
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